Connect with us

Hi, what are you looking for?

Movies

‘28 Years Later’ Mystery Solved: Meet The Real Zombie, Angus Neill

The emaciated zombie in the ‘28 Years Later’ trailer is not Murphy, but British art dealer and model Neill.

The trailer for ‘28 Years Later’ sparked confusion among fans when a skeletal zombie appeared on screen. Many people thought the emaciated figure was Cillian Murphy, who starred as Jim in the original ’28 Days Later.’ It has now been confirmed that the actor portraying the ‘zombie’ is British art dealer and model Angus Neill.

Neill revealed his involvement in the film after rumors spread online suggesting Murphy returned to play a new version of his character. Neill’s thin and distinctive appearance led many viewers to believe it was Murphy in zombie form. The confusion grew because Murphy, who is already involved in the project as an executive producer, was speculated to be reprising his role in some capacity.

The film’s director, Danny Boyle, reportedly cast Neill for the role due to his unique look. Neill later confirmed the news himself to clear up speculation. “Danny told me he’d always had me in mind for the role,” he said. “So we met up, hit it off, and I agreed to take part. On the set he has an extraordinary ability to hypnotize you, and working with him on the film was a very, very intense experience.”

Cillian Murphy is not the zombie, but he’s still connected to ‘28 Years Later.’ He remains involved in the sequel’s development as an executive producer.

The mystery is finally solved, and ‘28 Years Later’ seems to be one of the most anticipated zombie movies in recent years.

Latest

Movies

Eisenberg revealed that his portrayal of Lex Luthor had a significant negative impact on his career.

News

'The Acolyte' officially concluded after its eight-episode run.

General

J.K. Rowling commemorated the passing of five years since her first social media post addressing transgender activism.

You May Also Like

Movies

The new trailer features never-before-seen footage.

Movies

Edwards called the movie “a giant love letter to Steven Spielberg.”